The thrills, the excitement, and how this writer made Hugh's life a little less enjoyable.
Oh. My. God. Where do I begin?
Okay, first of all, I'll just say, if you're in NYC and you're going to do what everyone should do once in their life, go to a Broadway show, GO SEE The Boy from Oz! You won't regret it. It's such a good time. The bio-musical of the Australian Peter Allen, flamboyant performer, songwriter, one-time husband of Liza Minelli and lover of men and women alike (mostly men). Hugh Jackman is incredible in an energetic performance that makes YOU feel tired by the end.


He's got this powerful voice that just spreads out and covers the entire audience, and he can shake his bon bon in such a way to demand Ricky Martin renounce his crown. Oh, and Hugh just got nominated for Best Actor in a Musical for the Tony Awards (the show itself got several other nominations as well). In addition, the performances of Isabel Keating as Julie Garland and Stephanie J. Block as Liza Minelli were incredible. Not only are these women fantastic singers and performers overall, but they had to do it in Julie's/Liza's voice, and they were both pretty damn accurate, especially Block who blew me away. Mitchell David Federan, who played Allen as a young boy, completely stole the show each time he appeared. Every time he or Hugh leaped onto or off of the piano, I winced in anticipation of some horrible accident. Luckily there was none. I hope they have some good traction on those things.


One great thing about Hugh's performance, was that even though it was quite obvious the audience was filled with screaming, drooling women who wanted to see and talk to HUGH, Hugh stayed deeply entrenched within character. He WAS Peter Allen the entire time and skillfully controlled the audience, when they were either trying to get "Hugh" to come out during the occasional interactions, or when they were just shouting out and interrupting the performance in their excitement. I could see how that might easily get out of hand, as in the first number when Hugh came out by himself to sing, "The Lives of Me," and people were just screaming. He kind of cocked his head toward the crowd and said, "Hey, let me sing for a minute." The audience laughed and then immediately quieted down. Sure anyone could say that, but how many people can deliver it in such a way to get results? Anyway, onto ridiculous me. I’ve become a thirty-one year old groupie with a fifteen year old’s personality. Last Friday I had tickets, along with three friends, to see The Boy from Oz. It’s something that we’ve been planning for a long time. But finally, our good friend made it to NYC, and we bought the tickets. I mentioned our plans to a friend, Jessica. She mentioned knowing someone in the ensemble cast and maybe backstage passes could be finagled. Was I interested?
Um…
YES! Wait, can I say that again? Yes! Yes! Yes!
I was on pins and needles for two days, waiting to get the answer back. A backstage pass is the kind of thing that just doesn’t happen to me. I was feeling incredibly lucky. And then, Jessica came through. We were going to meet Leslie Alexander. Our instructions were to enjoy the show, and immediately afterwards move our butts to the backstage door, pushing our way through the fawning females (and there were MANY) and announce Leslie’s name.
So, I had my dress, my Hugh dress. I work in the garment district and each day passed this gorgeous, Springy, yellow dress in the window. Most of these shops are wholesale only and will not really sell to you off the street, but I couldn’t really resist. I just liked the dress a lot, and it was yellow! I don’t think I own a single yellow piece of clothing in my entire “wardrobe.” I made friends with the owner and he was nice enough to sell it to me “at cost” (I think, it sure was inexpensive). It’s nice to have something you feel at least semi-attractive in after a few months of feeling…bloated.

I picked a nice little Greek restaurant just a half a block from the theater (I’m always in charge of restaurant-picking and so far have had tremendous luck), and we had a nice meal. After a few glasses of red wine, I was READY for The Boy from Oz! We scurried to the theater, and I quickly bought some cheap binoculars, haggling with the storekeeper, and getting them down almost half of the ticketed price. Then we shuffled in with the other cattle through the open doors. I quickly bought a sparkly t-shirt knowing that I desperately wanted one (like I don’t have enough t-shirts!) and that there wouldn’t be time after the show.
Then we were inside! There’s something really exciting about first entering a theater before a show, and I’m not even a ‘theater person’ (I’m a movie gal). The lights are on, but kind of dim, people are talking, it’s kind of warm, you’re settling into your seat, you feel this excitement and chat with your friends about how great this is, how you can’t wait.
Then, it began! Complete darkness fell only to be relieved by Hugh at the piano. The crowd went wild. And I won’t pretend I wasn’t just as stupid, lustful, loud, and starstruck as the rest. I was.
The rest of the show was just a delight. Hugh Jackman is just an incredibly charistmatic guy. He seems to be having such a great time, smiling, leaping around, singing with such gusto, you can’t help but think the guy must collapse from exhaustion after each show. He engaged the audience frequently, choosing a few lucky individuals in the few front rows.
Okay, just a minute, I have to express one
serious beef I have with performers in concerts, musicals, or plays. EVERY time you are at one, and the performer happens to interact with audience members, it’s always someone in the first four rows. Now, I know that on a common sense level, you communicate with the person closest to you, the person you can see. But, coming from a person who, due to financial reasons (it almost killed me to cough up the $100 for this show, the first several rows are $250!!!), is always a couple dozen rows back, it is always so heart-wrenching to watch. The people in the front just have more money, they aren’t any bigger of fans. And I’m sure the older man “Eugene,” who was cool and totally game with Hugh’s suggestions, was just some old guy from Jersey who came over for the show and wasn’t wondering how he was going to eat lunch for the next two weeks before his next paycheck. Now, the performers are very much in sync with the guys who control those lights, and I’m sure it wouldn’t be too hard to seek out someone who is sitting back there in, let’s just say….the Front Mezzanine section 1, seat E1.
Anyway, enough of my bitterness, on to the sweet! The show was really incredible. Half fantastically fun musical, half like a rock concert with the multitudes of screaming women. Shannon and I kept swooning in
to each other at each suggestive Hugh move. And there were plenty, including his “dirty dancing” which almost sent me off the deep end. I haven’t felt lust that strong in…well, in a little while. I’m not dead yet. But I have to tell you, I know I was acting like one of those teenagers on the Ed Sullivan Show when the Beatles showed up, but I didn’t care. I was having such a great time.
After the catchy, bounce around in your head all day song-of-happiness, “I Go to Rio” played at the finale, I was off, losing half my party in my mission to get to the backstage door as soon as possible. Luckily, we all met up again minutes later. It was chaos. The place was packed with women, pushing and shoving each other, pressing against the barricades in hopes of getting close to Hugh when he emerged.
I was instructed to push my way through to the door, and I did. A “security guard” of sorts was there and he was truly enjoying his “bad ass” persona. He confronted us and I told him we were there for Leslie Alexander, and he practically shoved us toward the gaping backstage door. Just as we were reaching it, out came Hugh. Shannon and I began to pass him, but naturally, we paused. Hugh looked at us, a bit confused of why were there (and not behind the barricades), said, "Hi" and then was ushered on, and we were ushered in. I don't think I actually made a sound.

Me on the piano keys staircase used in the finale

Inside, we stood around awkwardly for a moment, feeling like we were in everyone's way. We slowly wandered out onto the stage where I sat on the piano key stairs and posed, as seen in the photo above. It didn't come out very well, but I know what I look like.
Leslie was great. She was enthusiastic and graciously answered all our stupid questions. We took a photo with her, looked around a bit more, and then we left. It was a great experience. Thank you Leslie and Jessica for the opportunity
The Next Day - Saturday Matinee
Since we didn't get much of a chance to have any contact with Hugh the day before, and since we were still buzzing like bees about the performance, Shannon and I decided to go once again to the backstage door to wait for Hugh to come out after the Saturday matinee. We timed it perfectly and showed up just as the show was letting out and women were rushing forward to press against the barricades once more. This time we were right in front, clutching our playbills and feeling rather ridiculous. The only unpleasant things were the security guard (same guy from the night before) who acted like a total pig (he made numerous lewd comments about Shannon's breasts), and the occasional aggressive woman pushing us from behind. I really have to admire her though, she took all his comments in stride and with grace. Not something easy to do in such a situation.
The actor Tony Goldwyn showed up with his very large brood in tow. In case you don't know him simply from his last name, he was the really bad guy in Ghost. See the photo to the right.

After a bit of a wait, Hugh came out, as you see depicted in all the photos above. True to what they say about him, he was gracious and kind, signing numerous autographs and greeting everyone. He signed my playbill, I took all the pictures left on my roll, and after 5-10 minutes, he ducked back into the theater and it was over.
This is when things got weird for me. Being front and center, I was in the perfect place to just observe him the whole time. I've always thought myself a pretty good judge of body language and I am one of those people who like to sit in a park, eat lunch, and just watch all the different types of people walk by.

Watching his face and body, it soon became apparent to me that what he was doing was a complete obligation. Okay, I know, DUH! The required 5-10 minutes of autograph signing is the kind of thing all big actors have to do after each show, though I have no idea if they actually DO. And yes, we were all a bunch of slobbering women (I think I spotted about three men) who were just dying for the chance to look in his eyes and have him fall instantly in love with us (though of course, we all just respect him for being such a family guy! -- a woman next to me said that while making dramatic gagging gestures) but...but... I don't know. I could tell by his face that this was all a bit tiresome, all a bit overwhelming, all a bit unpleasant. Did he explicitly show this? Oh no! If you look at the photos, you see how great he was. Smiling, signing autographs, saying hello and waving. One woman, in a moment I found a bit creepy, even gave him a science book that she had read his son really enjoyed.
He did his "job," and that's what it suddenly seemed like. A job, or a requirement for your benefit, like going for your annual visit to the gynecologist. It all ended so quickly, and I was standing there, filled with these bipolar feelings. I was thrilled that I'd gotten photos, that he'd signed my playbill, and that Shannon and I had just even DONE this (we had our doubts if we should even go since it was a bit silly), but at the same time, I felt as if I just became a part of his life that he found obligatory and mildly distasteful. I mean, there's a part of you that always knows this deep down, but I was just sort of confronted with it and felt awful about it. When you see a movie, TV show, or play that really means something to you, and you feel yourself so drawn toward an actor/actress, you want to be a part of his or her life. That's what celebrity is all about, isn't it? Naturally, you always assume that that actor is a cool guy, someone just like you, someone you could hang out with, talk to, fall in love with. When you discover s/he is not, you get that jarring reality check that the individual is an ACTOR. According to several interviews and Leslie herself, it is all true -- Hugh is a great guy. And then there was I, being a part of the icky side of fame. Sorry, Hugh. Well, I did have an amazing time. That's got to be worth some small fragment of discomfort. Right?